COMPRESSORS

MJUC jr. is the little brother of the colorful MJUC. It's a variable-mu** design with lots of vibe. capable of smooth leveling but also heavy pumping effects.
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5 modules: RMS compressor, peak limiter, high-frequency limiter, clipper, true peak limiter, high-quality signal processing to use for mastering purposes, brickwall and soft limiting with different timing settings, M/S and multiband modes, optional 4x oversampling, true inter-sample peaks (ISP) limiting, analog-style indication, 2…
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This is an emulation of an Orange Squeezer guitar compressor, with added controls for tweaking. It runs in mono or stereo, and has selectable 2x oversampling.
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The Depthcharge compressor designed with analogue VU meters and dimpled metal background. Designed specifically for tracking though it can be used in the master bus chain.
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This free plugin bundle is based on the ANALOG87 series which features a set of 5 award-winning VST and AU plug-ins. 
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Looking for an easy to use sidechain emulator? Armando Montanez has you covered! Available to download free in VST and AU plugin formats for PC and Mac.
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Neutrino is a free plug-in that offers a glimpse into iZotope's newest mixing technology. Insert Neutrino on multiple tracks across your session to reveal a subtle amount of detail that can help elevate great mixes to a new level of refinement.
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The Bob Perry Gate is the ideal way of making the best of your signal. VST3, real Side Chaining and the choice between three distinct algorithms make the Bob Perry Gate a supreme audio plug-in.
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Yet another compressor, but this one has the ability to morph between soft-knee compression and waveshaping as desired.
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The Молот compressor is generally designed for use on groups of instruments («busses») due to special optimal sounding characteristics and due to relatively high CPU load, which limits the number of compressor instances. Nonetheless the compressor can also be successfully used on separate audio tracks.
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Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal.
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